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Carlos Gomes' Lo Schiavo

Gershwin's Porgy & Bess

Matthews’  Journin

History

From performances of Mozart in Harlem to African-American Heritage concerts in Iceland - Gershwin in Moscow to Duke Ellington in the Caribbean, Opera Ebony is considered one of the world's great cultural treasures. Benjamin Matthews, Sister Mary Elise S.B.S. and Wayne Sanders founded Opera Ebony in 1973. Since then, the company has served as a professional platform for thousands of American artists, administrators and technical staff helping them to refine their talent and perfect their craft.

In New York City, Opera Ebony has performed at Lincoln Center, Carnegie Hall, the Brooklyn Academy of Music (651 Performing Arts Center), The Metropolitan Museum of Art,The World Trade Center, The Beacon Theatre, Langston Hughes Theatre (Schomburg Center for Research and Black Culture) and the Manhattan Center. Additionally, for ten years the company presented grand opera at Philadelphia's Academy of Music.

Since 1988, Opera Ebony's impressive repertoire has delighted overflowing audiences throughout the United States and in Brazil, Russia, Estonia, Sweden, Finland, Iceland, Canada, Switzerland and Martinique. The company has also partnered with several major international orchestras, opera companies and music festivals including the Icelandic Symphony Orchestra, the Finnish National Opera, the Estonia Philharmonic and the Savolinna Music Festival.

In 1998, Opera Ebony was selected as the only American opera company to perform for the opening of the Novaya Opera House in Moscow, Russia. During the winter of 2000, members of Opera Ebony appeared in performance and engaging conversation on the PBS GREAT PERFORMANCES series - Aida's Brothers and Sisters: Black voices in Opera. For Black History Month 2001, the company joined with the Metropolitan Museum of Art to present the premiere workshop performance of Harriet Tubman, a new opera / musical theatre work by acclaimed American composer, Leo Edwards.

Notable world premieres and commissioned works include Frederick Douglass (Dorothy Rudd Moore, 1985); Sojourner Truth (Valerie Capers, 1986); The Outcast (Noah Ain, 1990); Oh Freedom (Lena McLin and Benjamin Matthews, 1990); Journin' (Benjamin Matthews 1991); The Meetin' (Pamela Baskin Watson, commissioned by Opera Ebony and the Jerome Foundation, 1998).

Current projects include Harriet Tubman by Leo Edwards (commissioned by Opera Ebony and the Linda Gale Sampson Charitable Trust) and the remounting of The Meetin' for touring throughout North America.

Opera Ebony is the longest surviving African-American opera company in American history.