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"Opera Ebony
singers rocked the theater."
Gothenburg Post, Sweden
"This music,
a mixture of spirituals, blues, jazz, and opera, forces itself not only in
to the ears, but also through the pores of the skin, and into the body.
Anyone who insists that music can be understood only through the sense of
hearing has surely not seen Opera Ebony. "
Luzerner Newspaper, Switzerland von Simone Hart
"It doesn't
happen often, but whistles and shouts of Bravo! and More! More! echoed
through Centennial Auditorium. The whistles and shouts were for Opera
Ebony."
Saskatoon Star-Phoenix, Saskatchewan (Canada)
"The
Medium was given a moving and chilling performance."
The New York Times
"Opera Ebony
brought them to tears."
Zurcher Unterlander, Switzerland
"Opera that
touches lives…."
Christian Science Monitor
"In Opera
Ebony's performance of Fosca, there was not one singer on stage who
was not ready to step into a major role at the Metropolitan."
New York Amsterdam News
"Opera Ebony
soloists electrified the world premier of Sarmanto's Perfect Harmony…
the audience went wild with excitement."
Ita - Savo - Savonlinna
"These are
outstanding artists! Superb singers and actors! The music, the inborn
rhythm and the stage was second nature to them. These fantastic artists
warmed the winter night."
Music Review, Morgunbladid, Iceland
"Opera
Ebony's world premier of The Outcast by Jewish composer, Noa Ain was finely
directed with great imagination with an excellent cast."
New York Daily News
"Opera, Yes,
and More!"
New York Times
"Beyond
criticism, the conclusion brought the audience to its feet." Oh
Freedom.
New York Daily News
"Quite
unbelievable! It was shocking to notice that somewhere in the world they
can still dig up a singing voice and present it as naturally and easily as
breathing. The voices spread effortlessly through the hall, shined in
color; beautiful and impressive - a rare combination."
Joensuu Song Festival, Finland
"Opera
Ebony's production of Madame Butterfly had an outstanding cast and
orchestra. The acting was painfully real and filled with genuinely
heartbreaking moments."
New York Amsterdam News
" Applause…..screams
and encouraging whistling went on endlessly, and resulted in three encores."
Aargauer Voksblatt, Switzerland
"Every
element of Opera Ebony's world premiere of Dorothy Rudd Moore's Frederick Douglass
bespoke poise, vigor, even nobility."
Opera News
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